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Murder After A Fashion
These days, not even a new wardrobe can keep fashionista Rita Jewel from feeling blue. Perhaps the cure is a cooking class with a celebrity chef! But her appetite is ruined when murder becomes the main course
As a salesgirl at Dolce's, a chic boutique outfitting San Francisco's wealthiest women, Rita has the world's greatest job. So why does she feel like last season's Christian Louboutin stilettos-worn and out of style? Maybe it's because her love life needs a makeover ASAP. From carrots to caviar, Guido Torcelli is the celebrity chef du jour. Perhaps signing up for his cooking class will serve as a much-needed distraction for Rita.
But when Guido's shot to death, Rita knows she'll soon top the list of suspects. Guido was killed at his culinary school the same night she scrawled her phone number on a menu and handed it to him. Now she's got to find the murderer before she's forced to take all her meals in the prison cafeteria
Secrets Of A Fashion Therapist
Dressing for success is part of an everyday reality for all women in all walks of life. When faced with the overwhelming array of clothes offered in large stores, one is often besieged by self-doubt and in need of a strong hand to help develop that elusive quality called taste.
Enter Secrets of a Fashion Therapist from renowned Bergdorf Goodman personal shopper Betty Halbreich, who has dressed everyone from 12-year olds and their young mothers to media stars and grand dames. Sharing her impeccable, on-target fashion sense, Betty dispenses wisdom, humor, and advice on how to enhance natural beauty, build a more confident self-image, and most of all, have more fun getting dressed.
Betty first gives the reader a privileged look into the fashion world by taking her on a walk through Bergdorf Goodman, the famed specialty store. Along the way, Betty will explain how to shop like a professional in an enormous store (especially where the clothes seem too pricey, and the sales associates too haughty), deal with the limits of the ubiquitous dressing room, most effectively use a personal shopper, and utilize the general sales force of a specialty store.
With tips, magnificent pen-and-ink drawings, and tried-and-true methods that have remained infallible since the book's initial printing in 1997, Secrets of a Fashion Therapist teaches readers how to dress for all settings, from the workplace to cocktail hour to walking your dog. While broadening readers' attitudes towards fashion, Betty Halbreich will help women create a tasteful wardrobe that has "you" written all over it.
About the Author
Betty Halbreich has been director of Solutions at New York Cityâ€™s famed Bergdorf Goodman for more than 30 years. She has helped make the world a better-dressed place by working with countless designers and showing generations of women how to create their own styles.
Hairstyles And Fashion
The way a society deals with hair speaks volumes about its structures, its wealth, and its values. How is hair arranged? Is it left long or cut short? How often is it washed? Do men and women treat their hair differently and what does this tell us about gender?
This stimulating book contains articles written by the Paris hairstylist Emile Long between December 1910 and December 1920 for an English trade journal. Long's purpose in writing was to keep English coiffeurs informed about the goings-on in the world of fashion and hairdressing in France, and especially in Paris. In doing so he has provided us with a personal cultural history of the world's most fashionable city in a period that stretches from the end of the Belle Epoque, through the First World War, and into the opening year of the Roaring Twenties. His investigation of hairstyles and fashion inevitably leads him to a fascinating discussion of important historical issues: the 'true' nature of Woman; the genesis and democratization of fashion; and popular attitudes towards hygiene. With his engaging literary style Long invites us to think about consumer habits and technology, notions of fashion and cleanliness, and changing ideals of femininity and the social order.
Students and scholars of history, fashion and French society will enjoy these rich and revealing accounts of what hair means to identity and culture.
Women In American History
This four-volume set documents the complexity and richness of women's contributions to American history and culture, empowering all students by demonstrating a more populist approach to the past.
Provides significantly more detail than typical reference works on women's history and culture, enabling readers to better appreciate the contributions of women of all socio-cultural statuses Covers the astounding range of American women's experience, including women of various economic and racial statuses, religious affiliations, political and ideological identifications, and sexualities Includes a significant selection of primary documents, thereby combining the educational power of secondary and primary literature to create a richer learning experience for users
Fashioning The Frame
The body has been the focus of much recent critical attention, but the clothed body less so. In answering the need to theorize dress, this book provides an overview of recent scholarship and presents an original theory of what dress means in relation to the body.
Identity relies on boundaries to individuate the self. Dress challenges boundaries: it frames the body and serves both to distinguish and connect self and ‘Other’. The authors argue that clothing is, then, both a boundary and not a boundary, that it is ambiguous and produces a complex relation between self and ‘not self’. In examining the role of dress in social structures, the authors argue that clothing can be seen as both restricting and liberating individual and collective identity.
In proposing that dress represents ‘a deep surface,’ a manifestation of the unconscious at work through apparently superficial phenomena, the book also questions the relationship between surface and depth and counters the notion of dress as disguise or concealment. The concept of the gaze and the role of gender are approached through a discussion of masks and veils. The authors argue that masks and veils paradoxically combine concealment and revelation, ‘truth’ and ‘deception’. Here the body and dress are both seen as forms of absence, with dress concealing not the body, but the absence of the physical body.
This provocative book is certain to become a landmark text for anyone interested in the intersection of dress, the body and critical theory.
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